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There’s a clever idea behind this film, an urban musical that uses rap songs to convey the energy and passion of its characters. It’s fascinating, but not very accessible. And the plot is a bit contrived.
Flash (Duffus) is just out of prison and he’s already in trouble. He owes a huge amount of money to [...]

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There’s a clever idea behind this film, an urban musical that uses rap songs to convey the energy and passion of its characters. It’s fascinating, but not very accessible. And the plot is a bit contrived.

Flash (Duffus) is just out of prison and he’s already in trouble. He owes a huge amount of money to his old boss Angel (Watson), also just out of prison.
And Flash’s three babymothers (Justice, Lady L and Holness) are after him as well. Not to mention his mother (Chambers) and grandmother (Ffrench), who want him to leave his life of crime. But he needs to find this cash before he can go straight. And Angel only gives him two hours to come up with it.

Filmmaker Woolcock packs rather too much of an odyssey into these two hours; the events feel more like two days worth of meetings, dealings and scams, especially when Flash takes rather a lot of time out to mourn the death of a fallen comrade. He also meets a street urchin (Whyte), crosses into rival gang territory with a guy named Evil (Duncan), is offered refuge in a church by a pastor (Webley), has various encounters with the women in his life and sets up a blackmail sting.